The important role of the console is another area which requires thought and insight. Not only must it be designed in such a way as to be as ergonomic as possible, but it must also indicate to the organist the style and scope of the resources at his disposal. A finely finished console which is easy to use can immediately put the organist at ease and in a positive frame of mind to perform his art. The various controls should be ready to hand and in obvious places so minimising the time needed for familiarisation. But the style of console also has to reflect the aesthetic and location of the instrument.

Mander consoles have a reputation for ease of use, particularly on large instruments which can be unwieldy. Even here, there is continuous re-assessment and search for improvement, often in consultation with leading musicians. This has led to the design of some particularly interesting consoles, some of which are reversed and detached (but still mechanical) and others which are exceptional examples of a terraced layout.

High quality long-draw solenoids are fitted where electric drawstop action is employed, and long keys are always used for electric key action consoles. Mechanical key actions, which are always employed for new instruments are balanced or suspended depending on layout. All feature a sophisticated self-compensating fully-floating beam which ensures reliable operation in extremes of climate, allowing the action to be balanced for maximum sensitivity.

In consultation with musicians and combination action manufacturers, we constantly explore means to make the organist's task easier. Our development of a facility whereby general pistons can be made available on divisional pistons is an example of this-a unique feature of some Mander organs and not to be found on instruments by other builders. Veneering and French polishing to highest standards complete the feeling of quality, making the organist feel at one with the instrument under his fingers.